AS Media Studies
This is Emma Liggins' blog for AS Media Studies 2016/2017.
Production: Editing (Finished Opening)
Wik finished opening the editing and asked for audience feedback. The opening needed slight tweaks. Instead of creating a whole new edit, though, we decided to tweak the one we already had.
Above is the rough edit; we thought we were finished, but after hearing professional feedback and rewatch, there were two issues that had to be addressed:
Before doing anything else with the footage I already had, I researched how to stabilise shots (since some of the shots we had, due to the tripod breaking during the first day of filming, were extremely unstable). |
That clip also required some stabilising, but Premiere Pro found it very hard to render footage properly in a long sequence, so I created a new sequence and then stabilised it. |
After many, many trials, I have finally managed to make it look as good as it possibly could and exported it for further use. |
After some scaling issues, I sped up the clip so it fits the music markers (and cut it slightly more, so the little jump of the footage is not as noticeable). |
The actual changes to the footage did not want to show up in After Effects so I had to keep switching between Premiere Pro and After Effects to actually see what I was doing. |
Meanwhile Immy has finished most of the titles for the film, so I was able to see how they'd look when placed over the footage. |
Then I decided to care of the sudden transition between the logo and the actual beginning of the opening - the 'dip to black' transition was the closest to our original idea, so I decided to use it! |
I also ended up adding two more 'Pluton Productions' gifs at the beginning, since the whole group agreed upon the fact it looked way better that way. |
For each title I have created a separate photoshop file, so it'd be easier to add them to the sequence individually. |
I renamed every single clip (+ further colour coded them), so it'd be easier to manipulate them if there was a need for that. |
For most of the title placement process I toggle locked the actual video footage and the audio so I couldn't accidentally move it around, delete it or change its duration (learned that the hard way). |
Immy has also made the title of the film (and 'Pluton Production Presents'), so I could put them over the footage (after the actual clip of the light-box didn't look very good). |
Two clips were too short so I had to add another one in, using a slight crossfade in-between them, so the audio sounds smoother. |
Emma has found a good sound effect to put at the end of the opening (since we didn't have enough footage the music had to be cut earlier and we wanted to make it sound better). |
My last correction was changing all of the titles' sizes to have the same width to height ratio, so they look proportional. |
After adjusting the size ratios of the titles, I finally exported the (what I thought at that time) finished opening into a MOV file. |
Above is the rough edit; we thought we were finished, but after hearing professional feedback and rewatch, there were two issues that had to be addressed:
- the credits were too large to be broadcast on a cinema screen, and so we had to make them smaller
- the title screen needed to be moved, as it looked unprofessional and too much like a movie trailer at the end of the opening. However, we weren't happy with the title in general, and so decided to remove it completely.
Below is the very final version of our film opening:
Production: Editing (Rough Edit)
Before anything else (and even before the filming started), we have cut the music clip to our liking and put the markers on selected bars to align the footage later on in the editing process. |
You can see the marker at the point where the audio clip was supposed to start playing. |
Here, all of the footage (excluding the final title) was simply cut and put in the correct order (without touching any nuisances such as speed, stabilisation or colour correction). |
Since I wanted to have the pipette shot reverse, so here I just made sure there is such a possibility! |
I decided to reverse the second clip, so the footage looped just like the original gif. |
Using the gif twice seemed too rushed, so after consultation I decided to put if in four times and bring the speed down to 80%. |
I toggle locked the video footage and deleted all of the unwanted audio clips, so the chosen audio clip was clear and not disturbed by other sounds. |
I finally got around to duplicating and reversing the pipette shot (later increasing its speed to 200% as well + adding the audio clip to the sequence). |
After Effects was... eventful to say at least, but I finally figured out how to manage masks and adjustment layers, resulting in nicely colour corrected toothpaste drip. |
A little side comparison of the original clip and the one undergoing colour correction. |
Since all of the other clips from the street scene had blue lighting, I decided to adjust the colour balance of that clip so it matched the rest. |
Above is the rough edit of Toxic, uploaded to Youtube. The music continues beyond the end of the clip, but this will be cropped down later.
We asked for audience feedback, and this is what we were given;
- We needed to slow down the transition between the Pluton Productions logo and the first shot.
- A sound effect was necessary before the start of Danse Macabre, as the transition from silence to music was too sudden.
- The shot of the victim with 'foam' spilling from his mouth was described as "uncomfortably long".
- Obviously, we need to match the footage to the music!
Our group's opinion was that the ending could also use some improvement, as we felt it was too sudden and not to the standard of the rest of the footage. We are experimenting with ways to make this work, but we may remove it altogether, as expert feedback has informed us that the logo at the end makes it appear more like a trailer than a film opening.
The feedback we were given was useful. Even though Wik was already planning on fixing these aspects in her second edit, we found it important to hear multiple opinions from people who hadn't seen the production process, and see which flaws were mentioned the most frequently.
Production: The Making of Toxic
This video is a visual documentation of the filming process of our two-minute opening.
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